Friday, 16 March 2012

THE PLAYGIRLS AND THE VAMPIRE (1960)

A landslide on a stormy night causes a bus with five showgirls, their manager and the driver to take the road less traveled - straight to Castle Kernassy. Count Gabor (Walter Brandi), is less than hospitable - until Vera (Lila Rocco), one of the girls, stands up to him, causing him to relent. They're told to stay in their rooms no matter what they might hear in the night. Vera seems intuitive about the place, almost as if she's been there before. Katia (Maria Giovannini), another in the troupe, decides to disobey the Count's orders and goes off in search of a shower. Not a good idea. While walking around the castle, Vera is surprised to find a portrait of Margherita Kernassy, a distant relative of the Count, who bears a striking resemblance to herself. Inexplicably, she goes for a walk outside the castle that night and discovers Katia's grave opened, her body missing and a pale, unresponsive Count standing nearby. Vera goes wandering around the castle herself to speak to the Count about Katia's disappearance and finds her way to his laboratory where she discovers Katia's body.

The Count explains his research into vampirism without explaining the presence of Katia's exhumed corpse on the table before them. That evening, a very much alive (and naked) Katia appears in manager Lucas' (Alfredo Rizzo) bedroom. Vera, on the other hand, notices someone (or something) attempting to enter her locked bedroom, naturally she unlocks the door and goes off wandering about the castle, accidentally opening a secret passageway that leads to the Kernassy family crypt. There she's confronted by the Count and vampirized. Coming to her rescue is...another Count! It turns out that Gabor's 200 year old undead ancestor is responsible for the murders associated with the castle and Gabor's promise of the release that the vampire seeks falls on deaf ears, setting up a final confrontation between the two.

VAMPIRE CIRCUS (1972)


Schoolmaster Albert Müller witnesses his wife Anna taking a little girl to the castle of vampire Count Mitterhaus, where the child is killed. The villagers, led by Müller and the mayor, invade the castle and attack the Count, driving a wooden stake through his heart. With his dying breath, Mitterhaus curses the villagers, vowing that their children will die to give him back his life. The villagers force Anna to run the gauntlet, after which she runs back to the castle, where the briefly-revived Count tells her to find his cousin Emil. Meanwhile the villagers set the castle on fire.

Fifteen years Later, the village is ravaged by the plague and blockaded by the authorities. The citizens fear that the pestilence may be due to the Count's curse. A travelling circus, led by a dwarf and a gypsy woman, arrives in the village and the villagers appreciate the distraction from their troubles. One of the artists, Emil, is actually a vampire and Count Mitterhaus's cousin. Emil and the gypsy woman go to the castle, where they find the Count's staked body and reiterate the curse, that all who attacked on his cousin and all their children must die.

KISS OF THE VAMPIRE (1963)



Gerald and Marianne Harcourt are traveling by car when the car breaks down and they have to spend a few days in a small, remote village. It doesn't take long before they are invited to Dr. Ravna's castle. Without their knowledge, Dr. Ravna is the leader of a vampire cult, and he has become astonished by Marianne's beauty.

CAPTAIN KRONOS-VAMPIRE HUNTER 1974


Vampire hunter and expert swordsman Kronos finds himself in a small village where several of the local young women have been found in an advanced state of age, their youth drained from them by a vampire's kiss. Kronos' search leads him to the Durward estate where he is met by the effete children of the apparently aged and sick Lady Durward.

Alucarda (1975)



A young girl's arrival at a convent after the death of her parents marks the beginning of a series of events that unleash an evil presence on the girl and her mysterious new friend, an enigmatic figure known as Alucarda. Demonic possession, Satan worship, and vampirism follows.

LUST FOR A VAMPIRE (1971)



In 1830, forty years to the day since the last manifestation of their dreaded vampirism, the Karnstein heirs use the blood of an innocent to bring forth the evil that is the beautiful Mircalla - or as she was in 1710, Carmilla. The nearby Finishing School offers rich pickings not only in in the blood of nubile young ladies but also with the headmaster who is desperate to become Mircalla's disciple, and the equally besotted and even more foolish author Richard Lestrange.

Suce moi vampire (1975)



Suce moi vampire mas made by Jean Rollin to pay for the losses that Levres de sang suffered at the box office, using footage from that film as well as hardcore scenes with some of the same actors, shot in some of the same places. Rollin uses the character Frederick to make up the alternative story: Frederic takes out an old picture book from his book shelf, and leafing through it tells the story (by voice over) of how vampirism is combined with sexual perversions.